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clocs les mis

The male singers were particularly strong, the standard was edging close to that of Princess Theatre productions. The barricade looked less convincing, however, it staged the scene. The chorus was large, which enabled a grander scale production. Technical sound effects of gun shots were capably achieved. Spiritual aspects such as death of Fantine, were suitably represented as the spirit transmuted into light from above, and the final scene where Jean Valjean writes his epitaph echoed of Goethe’s Faust in his alchemical study.

CLOC’s Les Mis, May 14, 2017 National Theatre St Kilda.

Bachelor of Arts Film and Theatre, Deakin University, Rusden, 1994. Master of Arts Writing and Literature, Deakin University, 2013. Graduate Certificate, Tesol, 2013. Studying Graduate Diploma, Counselling, and Phd preparation, Swinburne University.Published poet, Southerly, national Australian journal.Books written by D.S, Danielle Shelley Carr include Blood for St Valentine, Raiders of the Headland and other stories, Blom-A Woman's Journey, and Ellipse, a collection of her poetry, also translated into Swedish and becoming available in Stockholm Public Library.Completed thesis, Psychological Reflections on Post-Modernist Gothic Literature available at Deakin University library.Danielle has worked as an English as second language teacher at Deakin University.

Profile: View Danielle's profile here

Email: danielle.carr@theaustraliatimes.com.au